Temelde İnsan - Fundamentally HumanÇağdaş Sanat Nörobilim - Contemporary Art And Neuroscience
Temelde Insan: Cagdas Sanat ve Norobilim sergi katalogu, yapitlari norobilim arastirmalariyla kesisen yedi cagdas sanatciyi bir araya getirdi. Kuratorlugunu New York'taki School of Visual Arts, Guzel Sanatlar Bolumu Baskani Suzanne Anker'in ustlendigi sergide yer alan sanatcilar: Suzanne Anker, Andrew Carnie, Frank Gillette, Michael Joaquin Grey, Leonel Moura, Rona Pondick ve Michael Rees. Farkli disiplinlerden gelen, temel oge olarak robotbilim, uc boyutlu tarama, photoshop, hizli prototipleme, mikroskopla inceleme ve bilgisayar goruntusu gibi yeni teknolojileri kullanan bu sanatcilar; doganin gizemlerini, birligini ve sureclerini, bilgi ve inanclarin aktarimini konu aliyor. Madde, algilama ve bellegin zihinde canlandirdigi metaforlari yapitlarina katan sanatcilar bu sayede, kendine ozgu kisisellestirmelerini, mecazi ve simgesel bir yapi cercevesine oturtmuslar. Katalog, sanat ve bilimi bulusturarak, sanata farkli bir noktadan, bilim penceresinden bakmaya, cagdas sanatla norobilim arasindaki guclu iliskiyi anlamaya ve sorgulamaya davet ediyor. Fundamentally Human: Contemporary Art and Neuroscience exhibition brought the work of seven contemporary artists to the fore, whose work addresses aspects of the neurological sciences. Curated by BFA Fine Arts Department Chair of the School of Visual Arts in New York Suzanne Anker, the exhibition included works by the artists Suzanne Anker, Andrew Carnie, Rona Pondick, Michael Joaquin Grey, Michael Rees, Frank Gillette and Leonel Moura. Each interdisciplinary artist essentially employed new technologies ranging from robotics, 3-D scanning, photoshop, rapid prototyping, microscopy and computational video. All were concerned with the mysteries and unity of nature and its processes, the transmission of knowledge and beliefs, and the reveries of human metaphors of being in time. As the artists incorporated such metaphors invoked by matter, perception and memory, their discrete personifications are framed within a symbolic narrat
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Temelde Insan: Cagdas Sanat ve Norobilim sergi katalogu, yapitlari norobilim arastirmalariyla kesisen yedi cagdas sanatciyi bir araya getirdi. Kuratorlugunu New York'taki School of Visual Arts, Guzel Sanatlar Bolumu Baskani Suzanne Anker'in ustlendigi sergide yer alan sanatcilar: Suzanne Anker, Andrew Carnie, Frank Gillette, Michael Joaquin Grey, Leonel Moura, Rona Pondick ve Michael Rees. Farkli disiplinlerden gelen, temel oge olarak robotbilim, uc boyutlu tarama, photoshop, hizli prototipleme, mikroskopla inceleme ve bilgisayar goruntusu gibi yeni teknolojileri kullanan bu sanatcilar; doganin gizemlerini, birligini ve sureclerini, bilgi ve inanclarin aktarimini konu aliyor. Madde, algilama ve bellegin zihinde canlandirdigi metaforlari yapitlarina katan sanatcilar bu sayede, kendine ozgu kisisellestirmelerini, mecazi ve simgesel bir yapi cercevesine oturtmuslar. Katalog, sanat ve bilimi bulusturarak, sanata farkli bir noktadan, bilim penceresinden bakmaya, cagdas sanatla norobilim arasindaki guclu iliskiyi anlamaya ve sorgulamaya davet ediyor. Fundamentally Human: Contemporary Art and Neuroscience exhibition brought the work of seven contemporary artists to the fore, whose work addresses aspects of the neurological sciences. Curated by BFA Fine Arts Department Chair of the School of Visual Arts in New York Suzanne Anker, the exhibition included works by the artists Suzanne Anker, Andrew Carnie, Rona Pondick, Michael Joaquin Grey, Michael Rees, Frank Gillette and Leonel Moura. Each interdisciplinary artist essentially employed new technologies ranging from robotics, 3-D scanning, photoshop, rapid prototyping, microscopy and computational video. All were concerned with the mysteries and unity of nature and its processes, the transmission of knowledge and beliefs, and the reveries of human metaphors of being in time. As the artists incorporated such metaphors invoked by matter, perception and memory, their discrete personifications are framed within a symbolic narrat
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