Ward No. 6 Anton Chekhov
Teknik Bilgiler
Stok Kodu
9786052073605
Boyut
13.50x19.50
Sayfa Sayısı
81
Basım Yeri
İstanbul
Baskı
1
Basım Tarihi
2018-01
Kapak Türü
Ciltsiz
Kağıt Türü
2. Hamur
Dili
İngilizce

Ward No. 6

Yazar: Anton Chekhov
Yayınevi : Karbon Kitaplar
9,60TL
Satışta değil
9786052073605
738072
Ward No. 6
Ward No. 6
9.60

Ward No. 6, short story by Anton Chekhov, published in Russian in 1892 as “Palata No. 6.” The story is set in a provincial mental asylum and explores the philosophical conflict between Ivan Gromov, a patient, and Andrey Ragin, the director of the asylum. Gromov denounces the injustice he sees everywhere, while Dr. Ragin insists on ignoring injustice and other evils; partially as a result of this way of thinking, he neglects to remedy the shoddy conditions of the mental ward.

When Dr. Ragin is himself committed, he realizes the fallacy of his philosophy and, too late, understands that evil must be confronted. The story made an enormous impression when it was first published. The mental ward was taken as a symbol for Russia itself and the madness of the elite, who, instead of dealing with Russia's problems, chose to view them from a distance.

-The New Yorker

  • Açıklama
    • Ward No. 6, short story by Anton Chekhov, published in Russian in 1892 as “Palata No. 6.” The story is set in a provincial mental asylum and explores the philosophical conflict between Ivan Gromov, a patient, and Andrey Ragin, the director of the asylum. Gromov denounces the injustice he sees everywhere, while Dr. Ragin insists on ignoring injustice and other evils; partially as a result of this way of thinking, he neglects to remedy the shoddy conditions of the mental ward.

      When Dr. Ragin is himself committed, he realizes the fallacy of his philosophy and, too late, understands that evil must be confronted. The story made an enormous impression when it was first published. The mental ward was taken as a symbol for Russia itself and the madness of the elite, who, instead of dealing with Russia's problems, chose to view them from a distance.

      -The New Yorker

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