Rothko %15 indirimli Jacob Baal-Teshuva
Teknik Bilgiler
Stok Kodu
9783836512831
Boyut
245-305
Sayfa Sayısı
96
Basım Yeri
İstanbul
Baskı
1
Basım Tarihi
2009-12
Kapak Türü
Karton
Kağıt Türü
2.Hamur
Dili
İngilizce

Rothko

42,50TL
Satışta değil
9783836512831
505645
Rothko
Rothko
42.50
Pictures As Drama

Mark Rothko (1903-1970) belongs to the generation of American artists who completely revolutionized thg, essence and design of abstract painting. His stylistic evolution, from a figurative visual repertoire to an abstract style rooted in the active relationship of the observer to the painting, embodied the radical vision of a renaissance in painting. Rothko characterized this relationship as "a consummated experience between picture and onlooker. Nothing should stand between my painting and the viewer." His color formations indeed draw the observer into a space filled with an inner light. Rothko always resisted attempts to interpret his paintings. He was mainly concerned with the viewer's experience, the merging of work and recipient beyond verbal comprehension. "No possible set of notes can explain our paintings," he once said. "Their explanation must come out of a consummated experience between picture and onlooker. The appreciation of art is a true marriage of minds. And in art as in marriage, lack of consummation is grounds for annulment."
  • Açıklama
    • Pictures As Drama

      Mark Rothko (1903-1970) belongs to the generation of American artists who completely revolutionized thg, essence and design of abstract painting. His stylistic evolution, from a figurative visual repertoire to an abstract style rooted in the active relationship of the observer to the painting, embodied the radical vision of a renaissance in painting. Rothko characterized this relationship as "a consummated experience between picture and onlooker. Nothing should stand between my painting and the viewer." His color formations indeed draw the observer into a space filled with an inner light. Rothko always resisted attempts to interpret his paintings. He was mainly concerned with the viewer's experience, the merging of work and recipient beyond verbal comprehension. "No possible set of notes can explain our paintings," he once said. "Their explanation must come out of a consummated experience between picture and onlooker. The appreciation of art is a true marriage of minds. And in art as in marriage, lack of consummation is grounds for annulment."
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