%25
Great Collectors of Our Time (Ciltli) James Stourton
Teknik Bilgiler
Stok Kodu
9781857595147
Boyut
20.00x26.00
Sayfa Sayısı
415
Kapak Türü
Ciltli
Kağıt Türü
Kuşe
Dili
İngilizce

Great Collectors of Our Time (Ciltli)

Yayınevi : Scala Publishers
460,00TL
345,00TL
%25
Satışta değil
9781857595147
675919
Great Collectors of Our Time (Ciltli)
Great Collectors of Our Time (Ciltli)
345.00

In the early 20th century collecting art was primarily a way for individuals to decorate their homes, but by midcentury many artistic works were being acquired by collectors eager to establish museums and galleries of their own. Sotheby's chairman James Stourton explains that it was an era of art dynasties, including the Guggenheims, Rockefellers, and the Gettys, all of whom felt that their holdings should be on public view. As seen in this book's dozens of color photographs, the collectors' tastes encompassed Picasso, Ingres, Goya, Brueghel, Gauguin, Dürer, Rauschenberg, and Koons, as well as ancient sculptures, illuminated manuscripts, and contemporary installation art. Stourton's overview also devotes individual chapters to collections in Britain, Switzerland, Germany, and Japan, and discusses how America supplanted Europe as the hub of the art world.

  • Açıklama
    • In the early 20th century collecting art was primarily a way for individuals to decorate their homes, but by midcentury many artistic works were being acquired by collectors eager to establish museums and galleries of their own. Sotheby's chairman James Stourton explains that it was an era of art dynasties, including the Guggenheims, Rockefellers, and the Gettys, all of whom felt that their holdings should be on public view. As seen in this book's dozens of color photographs, the collectors' tastes encompassed Picasso, Ingres, Goya, Brueghel, Gauguin, Dürer, Rauschenberg, and Koons, as well as ancient sculptures, illuminated manuscripts, and contemporary installation art. Stourton's overview also devotes individual chapters to collections in Britain, Switzerland, Germany, and Japan, and discusses how America supplanted Europe as the hub of the art world.

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